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COLUMNS & ARTICLES Publisher's Page Musician's Gear Reviews Single Slice
ARCHIVED EQUIPMENT REVIEWS Accessories Amplifiers Microphone Preamplifiers Analog Audio Processing Consoles, Mixers Digital Audio Processing DAWs/Peripherals Headphones Interconnects Microphones MI Products Recorders/Players Recording Media Speakers/Monitors Test Equipment
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Disc Makers Pico Disc Duplicator
by Russ Long, 6.01.2006
Disc Makers released the Pico which is a reasonably priced solution to this dilemma. The Pico is a single-drive automated CD/DVD duplicator with 16X DVD and 48X CD duplication at a cost of just under $700. more


PrismSound ADA-8XR Converter
by Russ Long, 4.01.2006
Like its predecessor the ADA-8, the PrismSound Dream ADA-8XR is a modular A/D-D/A converter and processor that can be configured for eight channels of simultaneous A/D and D/A conversion or for 16 channels in either direction. It supports 24-bit/192 kHz operation and it can also serve as a D/D format converter. The box is perfectly suited for studio and location recording, stereo and surround mixing and mastering. more


Lynx Aurora Converter
by Russ Long, 3.01.2006
Lynx Studio Technology designs and builds professional audio products for recording studios, project studios, post production studios, home studios, and live concert settings. The Lynx Aurora provides exceptional A/D and D/A conversion, flexible routing capabilities, I/O expansion options, remote control functionality, and maximum channel capacity within a small, single rackspace chassis. more


Benchmark ADC1 Analog to Digital Converter
by John Gatski, 12.01.2005
In the 10 years I have I known the Benchmark Media product line, I have found their digital converters, (designed by engineer John Siau) to be some of the best sounding that I have ever heard. From their 20-bit units from the late-1990s to the well-respected DAC-1 24-bit/96 kHz DAC, the company has pushed accuracy instead of marketing hype. The new ADC1 stereo A/D 24-bit/192 kHz sampling converter is no exception. more


Benchmark ADC 1 24-bit/192 kHz A/D Converter
by Bascom H. King, 12.01.2005
The long awaited Benchmark A/D converter companion to the DAC 1 is here in the form of the compact and versatile ADC 1. This two-channel unit supports sample rates up to 192 kHz via single wire AES/EBU XLR, S/PDIF BNC, and TOSlink optical connectors. Three fixed and three variable gain settings are settable on the front panel. more


Weiss Engineering DAC1-MK2 Digital to Analog Converter
by Alan Silverman, 12.01.2005
Products from Weiss Engineering have long been synonymous with mastering at the pinnacle of audio quality. Their Gambit series has literally redefined how mastering is done in the digital domain. more


Lavry Engineering Gold AD122-96 MKIII Analog to Digital Converter
by Alan Silverman, 12.01.2005
When the dB Technologies "Gold" AD122, from designer Dan Lavry, first appeared on the studio scene in 1995, it provided a glimpse into the future of digital audio. Its performance, even then, approached the theoretical limit of what is physically possible for an analog to digital converter. more


Handbook for Sound Engineers
by Brett Moss, 11.01.2005
If you're an audio engineer and get one audio book for Christmas then it should be Glen M. Ballou's Handbook for Sound Engineers. The third edition from Focal Press is out. more


Furman Sound IT-1220, AR-15 II, PS-PRO II, PST-10D Power Conditioning Products
by Russ Long, 9.01.2005
These days virtually every studio is piled miles high with computers and other sensitive equipment. It is no surprise that Furman Sound has a host of new and not-so-new products perfectly equipped to protect and improve the performance of this gear. more


ATM Fly-Ware Pole Mount Series Mounting Hardware
by Wayne Becker, 11.01.2003
The ATM Fly-Ware Pole Mount Series of hardware is a product aimed at providing the most absolute secure installation possible. more


Noren Products AcoustiLock Equipment Enclosure
by Dr. Fred Bashour, 10.01.2002
When Pro Audio Review asked me to review the Noren Products AcoustiLock equipment enclosure I reluctantly agreed. more


Auralex Acoustics MoPad, GRAMMA and HoverDeck Isolation Products
by Stephen Murphy, 6.01.2002
The most familiar method of acoustic treatment is the use of absorptive and diffusive materials to control sound waves within a room. more


Primacoustic London Primakit Acoustic Treatment System
by Stephen Murphy, 6.01.2002
With the miniaturization of professional quality recording gear comes the miniaturization of recording spaces. more


ATM Fly-Ware MLSS Speaker Rigging System
by Will James, 5.01.2002
Rigging and hanging speaker systems is a task requiring some education, skills and proper equipment. more


Polar Focus Lbeam Rigging Equipment
by Will James, 6.01.2001
The Polar Focus Lbeam ($210; dealer cost) is a wonderful new companion piece to the tried and true Zbeam. more


3D Audio Pre CD Volume 1
by Russ Long, 3.01.2001
Choosing the right microphone preamplifier is one of the most important decisions an engineer can make. more


Shock Mount Microphone Shockmount
by Richard Alan Salz, 1.01.2001
Anyone who has ever suffered the agony of breaking a Sennheiser 421 clip or paying $100 (or more) for a microphone shockmount can tell you · there has got to be a better way! more


Little Labs PCP Instrument Distro DI Box
by Jeff Severson, 1.01.2001
Just when you thought you had all the tools you needed, along comes the PCP Instrument Distro, a multipurpose distribution, impedance and level-matching box. more


Quik-Lok OR-Series Rack Stands and BS-300 Monitor Stands
by Stephen Murphy, 12.01.2000
Okay, I admit it: I was a keyboard player in what my engineer friend affectionately (I think) refers to as a "skinny tie band" in the mid-'80s. more


Electro-Voice Eliminator Speaker Cabinet
by Andrew Roberts, 11.01.2000
Seeking to make a mark in the low- to mid-priced speaker market, Electro-Voice has come out with the Eliminator speaker series. more



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