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Speakers/Monitors
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JBL PRX535 Loudspeakers
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Two big names, JBL and Crown, are available in one live loudspeaker.
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by Dan Wothke, 6.15.2007
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Regardless of your PA configuration, it has always proven handy to have a set or two of self-powered loudspeakers available for convenience … providing they are up to the task.
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CVA-118 Subwoofer
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5.15.2007
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The Cerwin-Vega CVA-118 is the “little” brother of the CVA-121 powered subwoofer.
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ADAM A7 Closefield Monitor
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ADAM's signature A.R.T. ribbon is now within the reach of every working studio pro.
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by Strother Bullins, 4.15.2007
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I had my first experience with ADAM studio monitors several years ago during a mix session at producer/engineer Michael Wagener's Nashville-area studio, Wireworld.
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Bose Panaray MA12 Modular Line Array Loudspeaker
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Bose's high-quality line array solution does the job for an acoustically troubled hall
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by Scott Burgess, 3.15.2007
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The year was 1877, and Thomas Edison played back “Mary Had a Little Lamb” on his newly created tinfoil recorder.
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Tannoy Power V6 Loudspeakers and Power VS10BP Subwoofer
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This new fixed install set provides Dual Concentric drivers for your listening pleasure
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by Roger Williams III, 3.15.2007
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Venerable audio manufacturer Tannoy — founded by Guy R. Fountain in the 1920s — is one of the UK's longest tenured and most respected loudspeaker companies.
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EAW DSA Series Loudspeakers
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Great-sounding and very versatile speakers with a few extra features.
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by David Rittenhouse, 1.15.2007
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It is funny sometimes when two worlds collide. Just when we think of the install and live sound arenas as being completely different and in their own realms, something comes along and shakes the very foundation that keeps us separate.
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Community R.25 Indoor/Outdoor Speakers
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A contractor speaker that sounds great!
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by Will James, 11.15.2006
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The contractor/installer sound business typically conjures up images of narrow bandwidth and re-entrant, tan horns that sound terrible.
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Meyer Sound Galileo Loudspeaker Management System
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A live sound/installation digital system processor/router that doesn’t scrimp.
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by Tom Young, 11.15.2006
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Meyer Sound’s self-powered loudspeakers have a new addition to speaker system management with the introduction of the Galileo 616.
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Alesis M1Active 620 Studio Monitors
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Good sound, great price from Alesis Active powered speaker series.
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by Strother Bullins, 10.31.2006
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There’s an old proverb that goes something like, “It takes three generations to make a gentleman.”
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ATC SCM20SL Passive Closefield Monitors
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Their quality speaker + your quality amp = quality sound.
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by John Gatski, 10.31.2006
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Passive speakers seems to be a vanishing species in the professional studio realm, but there are plenty of us out there who believe the best speaker and the same amp cannot be put into the same cabinet.
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JBL LSR4328P Studio Monitors
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JBL brings the LSR series to a broader market but keeps quality.
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by Russ Long, 10.31.2006
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The new JBL LSR4328P powered studio monitors are designed for critical stereo and multichannel audio production applications that require exceptional spectral accuracy and high SPL capability.
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Sabine Navigator NAV4800 Speaker Management System
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by Andrew Roberts, 8.01.2006
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The formerly dark art of speaker processing has now entered a golden era with powerful units flooding the market - especially those that are affordable to budget-restricted churches, schools and small SR providers. Gone are the days when you needed a rack full of gear and thousands of dollars to perform critical speaker management functions like crossover, EQ, delay and limiting. A notable new arrival in this class is the Navigator series from Sabine. These units perform all the previously listed functions as well as matrix mixing and Sabine's unique FBX feedback suppression.
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Ultimate Ears UE-10 Pro In-Ear Monitors
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by David Rittenhouse, 7.01.2006
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I think back to my youth of 8-tracks and huge headphones and the thrill of listening to Pink Floyd' s Dark Side of the Moon for the first time and I realize that this concept started from an imagination into a reality only to be fully fulfilled at this point in time. With this grandiose statement I am here to tell you about the new in-ear monitors from Ultimate Ears, the triple driver UE-10 Pros.
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Yamaha HS50M Studio Monitor and HS10W Subwoofer
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by Richard Alan Salz, 7.01.2006
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End users' speakers have improved enormously in the intervening years, today's studio monitors need to be much more linear in response than the NS10s could ever hope to be. With that in mind, let's take a look at a 21st century Yamaha studio monitoring system.
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Dynaudio Acoustics BM5A Compact Monitor
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by Rich Rarey, 6.01.2006
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Small and sweet are the new Dynaudio Acoustics BM5A Compact two-way active closefield monitors, and Dynaudio has quite correctly positioned these "babies" as desirable for post and broadcast applications.
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TASCAM VL-X5 Biamplified Monitor
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by Bruce Bartlett, 6.01.2006
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TASCAM has long been known as a manufacturer of quality electronic devices for recording. Their VL-X5 monitor represents a new direction for TASCAM into the studio monitor market.
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Wharfedale Pro
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by Richard Alan Salz, 6.01.2006
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Let's put things in proper perspective. My father still has a pair of late 1950s Wharfedales in his basement. They're almost five feet wide, have sand filled baffles, and are heavy beyond belief. Back then, a monitor such as the Wharfedale Diamond Pro Active 8.2 would have been the stuff of fantasy.
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JBL SRX700 Series Loudspeakers
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by Andrew Roberts, 5.01.2006
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It's common knowledge that modern automobiles utilize a great deal of technology that originated on the race track. So when you go to see a concert and there's a couple hundred thousand bucks worth of brilliant-sounding transducers hanging from the rafters, is it possible that the same technological prowess could reach the local music/pro audio store?
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Crate PSM15P Powered Speaker
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by Roger Williams III, 5.01.2006
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Ever since JBL introduced the EON powered speaker over 10 years ago, many companies have tried to emulate the concept and success that they have had. I reviewed the original EON system many moons ago in this same magazine, and I knew they had a winning approach on their hands.
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SLS Loudspeakers RLA/2 Line Array
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by Doug Stanny, 5.01.2006
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When you mention ribbon drivers to some tour sound engineers that require massive amounts of SPL from their loud speakers they cringe. That's because they are still under the old impression that ribbon drivers can't handle outputting the same SPL as a horn-loaded line array. Well the reality is, that's not true at all and SLS RLA/2 proves just that.
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